Let’s Get to Know how Some of It Features Works in Detail… Signal Processing Flow The threshold level and peak hold levels of the user-definable band are shown on the graph, alongside the FFT display of the narrowband signal, which includes retention of the peak level and the frequency containing the most energy. On top of all that, there is detailed visual feedback which allows quick identification of the frequencies that need treatment and where to set the threshold. Also, you can take out unwanted frequency peaks as and when they occur – unlike applying a fixed EQ to the whole channel. Since the SuprEsser can operate at all frequencies, ‘plosives’ and other annoyances can also be removed effortlessly, making it more than a simple De-Esser.Īn issue with doing a static de-essing is that you are applying it to the whole audio, although, this can be mitigated by automation, but again, it is time-consuming and since you would be working on lots of vocal mixed, you are better off with a plugin that does the heavy lifting for you.įor example, the Oxford SuprEsser includes Automatic Level Tracking, Linear Phase Filtering, and a Wet/Dry blend control for final balancing. It has the combination of an intuitive FFT display and three listen to modes that enable you to easily see and hear exactly where the disturbing frequencies are located in the frequency spectrum, which in turn allows rapid reduction or removal of the offending frequency. The Oxford SuprEsser does what it says, it suppresses harsh sibilance in vocal recording.
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